top of page

Matthew Kellen Burgos - Curriculum Vitae

Below, you'll find highlights of various accomplishments as Artistic Director, Director, Writer and Professor - as well as my full CV.

Artistic Director / Director

 

Highlights:

 

  • Former Artistic Director for award-winning VanguardRep in Los Angeles/Atlanta.

  • Freelance director with over 50 full productions at the regional theater / university level.

  • Multiple regional awards for original adaptations and new work.

  • Experience with contemporary drama, musical theatre, Shakespeare, lyrical drama, comedy and many other styles/genres.

Playwright / Screenwriter

 

Highlights:

 

  • Ghostwriter/analyst for MyScriptNeedsHelp in Los Angeles, CA.

  • Experience with analysis / ghostwriting on over 15 feature-length studio film projects.

  • Multiple awards for original adaptations and new work for the
    La Cañada Flintridge Shakespeare Festival.

  • Visiting playwright for Endstation Theatre Company's Playwright's Initiative residency program at the Blue Ridge Summer Theatre Festival in 2013.

Professor

 

Highlights:

 

  • Currently tenured full-time professor at Mt. San Antonio College in Walnut, CA.

  • Experience at both University and Junior-College level.

  • Experience with curriculum, course writing and administration.

  • Experience teaching classes in acting, directing, theatre history, survey courses, voice, movement and children's theatre.

  • Experience directing over 20 college/university productions.

Production Photos

A selection of photos from professional and academic work.​

 

Feel free to scroll through and click on an individual production photo to find out more...

DSC_8488.jpg
The Illusion
The Diviners
Juliet &her Romeo
Metamorphoses
IMG_0209
Crazy for You
The Tempest
After the Autumn
Brutus' Dream
The Diviners
IMG_2110.jpg
Juliet &her Romeo
The Tempest
A Midsummer Night's Dream
The Diviners
Juliet &her Romeo
Metamorphoses
Juliet &her Romeo
Oedipus Rex
IMG_2226.jpg
Metamorphoses
Juliet &her Romeo
Metamorphoses
The Diviners
Marat / Sade
The Diviners
Still Life with Iris
Metamorphoses
Brutus' Dream
12th Night
Still Life with Iris
IMG_0495
Marat / Sade
The Tempest
Crazy for You
IMG_0249
Still Life with Iris
A Midsummer Night's Dream
Oedipus Rex
Marat / Sade
IMG_1947.jpg
The Tempest
Still Life with Iris
IMG_2400.jpg
Metamorphoses
The Tempest
Marat / Sade
The Diviners
Crazy for You
Still Life with Iris
The Diviners
IMG_0502
12th Night
Marat / Sade
The Tempest
Still Life with Iris
Juliet &her Romeo
Oedipus Rex
Juliet &her Romeo
Still Life with Iris
Metamorphoses
The Illusion
Juliet &her Romeo
A Midsummer Night's Dream
Crazy for You
IMG_1487.jpg
Marat / Sade
Oedipus Rex
DSC_8560.jpg
The Diviners
Juliet &her Romeo
A Midsummer Night's Dream
The Diviners
After the Autumn
Marat / Sade
Juliet &her Romeo
Still Life with Iris
Metamorphoses
Still Life with Iris
A Midsummer Night's Dream
Metamorphoses
The Diviners
Crazy for You
Metamorphoses
DSC_8600.jpg
Marat / Sade
Crazy for You
The Tempest
Metamorphoses
The Tempest
Juliet &her Romeo
The Diviners
Brutus' Dream
Marat / Sade
Juliet &her Romeo
12th Night
The Illusion
Metamorphoses
After the Autumn
Marat / Sade
12th Night
034-Metamorph-Prod.jpg
Still Life with Iris
The Tempest
Marat / Sade
Juliet &her Romeo
The Diviners
The Diviners

Scripts

Here, you'll find the full production scripts of produced, commissioned or in-process scripts from Matthew Kellen Burgos.

After the Autumn

Produced by the La Canada-Flintridge Shakespeare Festival

 

  • New Play adapted from Shakespeare's MacBeth. 

  • Synopsis:  After a series of violent run-ins with a hospital staff, an army veteran  must learn to communicate his post-traumatic stress disorder to his psychiatrist or lose his freedom.  

IMG_8362.JPG
Forest, Empty

Commissioned by Endstation Theater Company's Playwrights Initiative

 

  • New Play based on the life of the historical figure Ota Benga. 

  • Synopsis:  An academic attempts to put together the puzzle of the famous Congolese Pygmy's life through the stories and musings of those that surrounded him on his journey to the United States.  But history becomes distorted easily.  Will the truth come out, or will our storytellers fall victim to their own egos?

abstract-binary_00373618.jpg
I/O

Commissioned by Vanguard Repertory Company

 

  • New Play inspired by Kristin Dombek's Essay - The Selfishness of Others and Homer's The Odyssey

  • Synopsis:  In a very near future, one man sets out to validate his own existence by destroying the "One Network."

Brief Bio:

 

Former Artistic Director of Vanguard Repertory Company in Los Angeles/Atlanta, Co-founder of the Windmill Arts Center, and faculty at Mt. San Antonio College, Matthew's work and travel has taken him all across the continental U.S. as well as Europe and Southeast Asia.  A critically acclaimed director, designer, and playwright, Matthew spends a majority of his time developing new work - searching for ways to give voice to underrepresented demographics while implementing unique physical techniques for visual storytelling.

Degree / Awards:

 

  • Master of Fine Arts Degree with an emphasis in directing from Florida State University

  • Bachelor's Degree with a major in performance and minor in design from the University of Wisconsin - La Crosse

  • Winner of over a dozen StageSceneLA awards for the La Cañada Flintridge Shakespeare Festival

  • Multiple regional and national Kennedy Center / ACTF awards for acting and directing

  • Visiting Playwright Residency recipient for the Playwright's Initiative at Endstation Theatre Company.

  • Tenured professor at Mt. San Antonio College

  • Winner of the 2014 Developmental Educator of the Year Award

  • Best of ATL award for Windmill Arts Center (co-founder)

On Storytelling:

It's a fascinating time to be a working artist and educator.  There are pressing global issues which overwhelm our thoughts and seem to cause a growing urgency to answer fundamental questions of priority and purpose.

 

So, in the wake of all this, where does live storytelling come into play?  

I believe, in a most essential way, that this very moment in our social and even physiological evolution requires live storytelling more than any other time.  The empathy and understanding gained from telling one another our stories and exploring the mediums / methods of communication are vital to our happiness and survival.  As connected as everyone seems to be, it's incredible how insular our own little tunnels of existence have become with everything tailored to our individual interests.  So, as a result, I feel compelled to search for and attempt to tell any stories I uncover so that I might share my perspective and develop others' -- hopefully expanding an audience's perspective in the process.  This has led me to primarily focus on new works and adaptations - particularly of culturally specific communities.  I believe in theatre not as an island unto itself -- with theatre practitioners creating and performing works for themselves -- but as an inclusive, communal experience for everyone.   That doesn't mean catering to an audience, but simply keeping them first and foremost as the focus -- challenging them and keeping them in the conversation.  Keeping the audience engaged requires powerful visual storytelling so that the narrative, message or idea might be shared beyond educational, social or demographic boundaries.

On Pedagogy:

I am a student and always will be.  And that curiosity is something I strive to pass on to my own students within the classroom.  Often times, instructors at all levels become disheartened by students' lack of education or motivation -- with good reason.  Education is often under-appreciated and mentally taxing beyond its immediate rewards.  Understanding these truths to be relatively constant, I do my best to prioritize keeping my learning environment energized and focused.  It's not just about using technology and listening to what the students want in order to stay engaged.  It's about keeping one's own passions engaged as an instructor.  I take pride in evolving each semester, each class to keep myself excited about the material -- asking new questions and traveling new paths.

 

Besides working to keep students engaged, I also believe in practical application -- especially in the arts.  Many of my classes are structured in order to illustrate an idea, then create real-world scenarios based on my professional experience in which the students can apply the new concept.  While the classroom is a place to absorb information, I also believe that the process of experimentation and failure is fundamental in gaining a useful synthesis of learned ideas.  

Matthew Kellen Burgos

AEA / SAG Eligible

mkburgos@gmail.com

818-726-6399

 

Professional info

With over 15 years experience on the stage at the University / Regional Professional level, Matthew Kellen Burgos has had the opportunity to study and perform a variety of roles in an equally diverse palette of styles including: contemporary drama, Shakespearean comedy and tragedy, musical theatre, classic American, Chekhov and Greek Tragedy.

Selected Performance Experience
Henry in Unearthed (world premiere)
​Blue Ridge Summer Theatre Festival - Endstation Theatre Company
Sir Andrew Aguecheek in 12th Night
La Cañada Flintridge Shakespeare Festival - Vanguard Repertory Company
(StageSceneLA award for best ensemble - 2012)
Peter Quince in A Midsummer Night's Dream
La Cañada Flintridge Shakespeare Festival - Vanguard Repertory Company
(StageSceneLA award for best ensemble - 2011)
Malcom in MacBeth
Ethos Theatre Company - Tre Stage, Los Angeles CA
Giuliano in Big Love
LAB Theatre - Florida State University (director Geoffrey Kershner)
William Gibbs in Off the Map
Toland Theatre - University of Wisconsin - La Crosse
(semi-finalist for Irene Ryan Acting Competion - KC/ACTF)
Judas in Jesus Christ Superstar
Toland Theatre - UW-L Summerstage
Seymour in Little Shop of Horrors
Toland Theatre - UW-L Summerstage
Nicely Nicely in Guys and Dolls
Toland Theatre - UW-L Summerstage
Ebenezer Scrooge in A Christmas Carol
Toland Theatre - Toland Theatre - UW-L
Training / Skills

 

Vocal Performance (tenor)       Jeff Halpern, NYC

Theatrical Movement

Grotowski / Plastiques / Viewpoints / Laban

Theatrical Voice

Alexander / Linklater

Dance

basic ballet, jazz, ballroom

Combat

certified in broadsword, 10 years of American Karate

Sports

football, track, baseball

Dialects

(in production experience only)

 

British

(Upper / Lower)

Irish

American Southern

(Texas / Southeastern)

American Midwestern

Education

 

MFA Directing 

Florida State University

 

B. A. Performance 

University Wisconsin - La Crosse

Eddie Ryan in Do Black Patent Leather Shoes Really Reflect Up?
Toland Theatre - University of Wisconsin - La Crosse
(semi-finalist for Irene Ryan Acting Competion - KC/ACTF)
  • Wix Facebook page
  • Wix Twitter page
  • Flickr Classic
  • Instagram Classic
  • Wix Google+ page

© 2025 Divergency Creative Studios

Divergency Creative Studios is your one-stop-shop for any creative consulting or full-service digital media.  We provide pre and post-production for film and videography as well as commercial photography and branding / website / social media design.  We make documentary films, commercials, and narrative films.  We have Netflix-approved cameras which includes 6K drone photography and 12K film.  

bottom of page